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Mammy dominated the Yokum clan through the force of her personality, and dominated everyone else with her fearsome right uppercut (sometimes known as her "Goodnight, Irene" punch), which helped her uphold law, order and decency.
She is consistently the toughest character throughout Li'l Abner.
Abner and Daisy Mae's nuptials were a major source of media attention, landing them on the aforementioned cover of Life magazine's March 31, 1952, issue.
Once married, Abner became relatively domesticated. Like Mammy Yokum and the other "wimmenfolk" in Dogpatch, Daisy Mae did all the work, domestic and otherwise — while the useless menfolk generally did nothing whatsoever.
Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced.
They meet one morning when overwhelmed Jack is left …
Li'l Abner is a satirical American comic strip that appeared in many newspapers in the United States, Canada and Europe, featuring a fictional clan of hillbillies in the impoverished mountain village of Dogpatch, USA.
Written and drawn by Al Capp (1909–1979), the strip ran for 43 years, from August 13, 1934 through November 13, 1977. Comic strips typically dealt with northern urban experiences before Capp introduced Li'l Abner, the first strip based in the South.
During most of the epic, the impossibly dense Abner exhibited little romantic interest in her voluptuous charms (much of it visible daily thanks to her famous polka-dot peasant blouse and cropped skirt).
Mammy Yokum: Born Pansy Hunks, Mammy was the scrawny, highly principled "sassiety" leader and bare knuckle "champeen" of the town of Dogpatch.
She married the inconsequential Pappy Yokum in 1902; they produced two strapping sons twice their own size.
Capp derived the family name "Yokum" as a combination of yokel and hokum.
In Capp's satirical and often complex plots, Abner was a country bumpkin Candide — a paragon of innocence in a sardonically dark and cynical world.