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In his closet is something he does not want anyone to find, ever. What does this reveal about the inner life of the character? There’s nothing wrong with this approach, as long as you realize that you will be saying something. Here’s an exercise I call “The Dickens” (named for Charles and his time-traveling story A Christmas Carol): Go forward in time 20 years after your story ends.Use the secrets and passions you discover to add another point of conflict within the cast. Your lead character is now 20 years older and has had time to reflect on all that happened in the story you told.How much more chilling is the bad guy who has a strong argument for his actions, or who even engenders a bit of sympathy? How did all of this affect him over the course of his life? If he were in court, arguing to a jury about why he did the things he did in the novel, what would he say? Give us Clarice Starling sleeping at last, the lambs of her nightmares silenced.
I sometimes find the Java setup on my various Apple devices to be a mystery.On two of the Macs, as soon as I fired up the Citrix app, the Java vpn window would show 'error'. Then I remembered that I had done some Java development in the past and installed various jdks from Oracle so I ran: That was on the working Mac.Then I remembered the difference between 'System' Java, Java plugins, and Java development kits.When we first meet Detective Carol Starkey in Robert Crais’ Demolition Angel, she’s flicking her cigarette ash on the floor of a therapist’s office, “pissed off” because it’s been three years and her demons are still alive and well. Look for ways friends can become enemies or betrayers. To help you add complexity, make a character grid like this: Now, fill in the blank boxes with possible relationships, secrets and areas of conflict. The first thrillers carried a message and helped bring a local community together. So you ought to spend some time asking yourself what your thriller is really about. Many aspiring thriller writers, perhaps seeing the genre as action-driven, avoid thinking about theme (or meaning, or premise).Quite an introduction, especially for someone on the LAPD bomb detail. For example: If possible connections are eluding you, try running this exercise for each of your main characters: The police come to the character’s residence with a search warrant. They prefer to let the characters duke it out, and leave it at that.