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When not Davis, I sketch Sacramento, San Francisco, London, or anywhere else I happen to be.
I tend to erase people and cars from my cities, but I'm starting to get over this.
I had a teacher there who used to do a lot of sketches when he travelled on university excursions.
When he retired, I helped to organize an exhibition of his sketches.
Sketching one of the world’s most famous icons felt like a dream come true – the ultimate in urban sketching.
But although I can’t resist sketching world-famous icons whenever I’m fortunate enough to see them, for me, urban sketching is much more than that.
I have met and sketched with many wonderful people around the globe, either at symposiums or during other travel, because the USk network brought us together.
I think of it more as a way of life – something that has become such a normal part of my everydayness that it shapes how I view the world.For most of my life I had both the fear of drawing as well as the desire to draw.In 2011, inspired by Gabi Campanario’s Seattle Sketcher column, I finally decided to overcome the fear.Urban sketching is a tree with its middle chopped away to accommodate Seattle’s ubiquitous power lines.It’s about a couple of women chatting over coffee, or about workers roofing the house next door.