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One is that such a low-budget film looks so good visually.In Flower Island, Song showed an unusual talent for the aesthetics of digital cinema, but here he takes it one step further.Lee So-yeon makes her slightly thin character memorable through considerable screen presence, while Jang Hyun-seong of independent films Nabi and Rewind gives the performance of his career.Whatever we feel about the character he portrays, Jang's performance is so real and natural that we can't help but be drawn to him.

(It seems appropriate that Git's basic setup recalls Richard Linklater's Before Sunset, another film that stands out for the beauty and simplicity of its construction) On Biyang-do, the director -- named Jang Hyun-seong, the same as the actor who portrays him -- is overpowered with both memories of the past and the beauty of the island.

Although the general path followed by the plot is pretty straightforward, Song leads us down many odd and fascinating detours.

There is So-yeon's uncle, a middle-aged man with bleached blonde hair who hasn't spoken since his wife abandoned him.

Git centers around a film director who, in the middle of starting his next screenplay, remembers a promise he'd made ten years earlier.

While staying on a remote southern island off Jeju-do, he and his girlfriend of the time agreed to come back and meet at the same motel exactly ten years in the future.

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