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A forerunner of the genre had appeared in 1943 Giorgio Ferroni's Il fanciullo del West (The Boy in the West) and a cycle of Western comedies was initiated 1959 with La sceriffa and Il terrore dell’Oklahoma, followed by other films starring comedy specialists like Walter Chiari, Ugo Tognazzi, Raimondo Vianello or Fernandel.An Italian critic has compared these comedies to American Bob Hope vehicles.Christopher Frayling, in his noted book on the Italian Western, describes American critical reception of the Spaghetti Western cycle as, to "a large extent, confined to a sterile debate about the 'cultural roots' of the American/Hollywood Western." He remarks that few critics dared admit that they were, in fact, "bored with an exhausted Hollywood genre." Pauline Kael, he notes, was willing to acknowledge this critical ennui and thus appreciate how a film such as Akira Kurosawa's Yojimbo (1961) "could exploit the conventions of the Western genre, while debunking its morality." Frayling and other film scholars such as Bondanella argue that this revisionism was the key to Leone's success and, to some degree, to that of the Spaghetti Western genre as a whole. The Lumière brothers made their first public screening of films in 1895 and already in 1896 Gabriel Veyre shot Repas d'Indien ("Indian Banquet") for them.Joe Hamman starred as Arizona Bill in films made in the French horse country of Camargue 1911–12.These movies were originally released in Italian, but as most of the films featured multilingual casts and sound was post-synched, most "western all'italiana" do not have an official dominant language.technical staff, and a cast of Italian, Spanish, German, and American actors, sometimes a fading Hollywood star and sometimes a rising one like the young Clint Eastwood in three of Sergio Leone's films.
Since there is no real consensus about where to draw the exact line between Spaghetti Westerns and other Eurowesterns (or other Westerns in general) one cannot say which one of the films mentioned so far really was the first Spaghetti Western.Italian cinema often borrowed from other films without regard for infringement, and Leone famously borrowed the plot for A Fistful of Dollars, receiving a letter from Japanese director Akira Kurosawa congratulating him on making "...a very fine film. Leone had imitated one of the most highly respected directors in the world by remaking his film Yojimbo as A Fistful of Dollars and consequently surrendered Asian rights to Kurosawa, plus 15% of the international box office proceeds.Leone later moved from borrowing, and established his own oft-imitated style and plots.His treachery is exposed and he is severely beaten, but in the end he defeats the remaining gang.The interaction in this story between cunning and irony (the tricks, deceits, unexpected actions and sarcasms of the hero) on the one hand, and pathos (terror and brutality against defenseless people and against the hero after his double play has been revealed) on the other, was aspired to and sometimes attained by the imitations that soon flooded the cinemas.
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It was directed by Vincenzo Leone, father of Sergio Leone, and starred his mother Bice Walerian in the title role as Indian princess Fatale.